This Master s thesis proposes the investigation of a corpus of ten anthologies of translated Korean literature published in Brazil between 1985 and 2022. The practice of anthologizing Korean literature translated in Brazil was observed in order to verify the creation of images resulting from the criteria for selecting, translating and presenting this literature, based on an analysis of its paratexts, highlighting the actions of the agents of rewriting. The theoretical basis used comes from Translation Studies, especially the fields of Descriptive Translation Studies (DTS) and the Sociology of Translation, and from Paratext Theory. Based on the corpus, it was verified that the act of anthologizing is divided into three attitudes: (1) constructing, in which the criteria for selecting the texts and the context in which the works were published are underlined; (2) designing, in which it is verified how the visual paratext communicates the editorial and translation projects of the anthologies; and (3) framing, in which, through the prefaces, the strategies for producing discourses about Korean literature were identified. In examining the prefaces, the agents highlighted were translators, collaborators and authorities from the target culture, who assume, from their place of discourse production, a fundamental role in the insertion of Korean literature in Brazil. From the 1980s to the 2000s, agents made a central contribution to the publication of this literature through anthologies dedicated to different authors and literary currents. From the 2010s onwards, the anthologies have aligned with current publishing trends in parallel with the growing appreciation of Korean cultural products in Brazil.